By Carol Montparker
Those intensely own and perceptive essays discover the author's lifestyles as a pianist - training, acting, educating and writing - yet they can be the strategies and reflections of any artist. They recount the demanding situations, rewards and joys of her stories in her selected career.
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About the Author
Born in eire, Oscar Fingal O'Flahertie Wills Wilde (1854-1900) used to be expert in Dublin & Oxford and went directly to turn into the major and so much fashionable exponent of flamboyant aestheticism. in addition to his many performs, he wrote one novel, the image of Dorian grey (1890), and released numerous volumes of poetry and feedback. He used to be imprisoned in 1895 for gay offences and after his free up he died in exile in Paris
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Additional resources for A Pianist's Landscape
These are the purest moments in musicmuch more so than performances. Page 30 When I am entirely relaxed, I can savor every aspect of being a pianist and of the instrument's charms, along with the sense of the pair of us together. In order to accomplish that, I push the music desk back or open the lid so that the full nuance of the sound gets to me. If I watch the furry white hammers through the strings, there's a strange sense of the randomness of their pop-ups, as they are so removed from my fingers through all the mechanical elements of the action; if I watch my hands, they too seem to have a mission of their own.
Another time my close friend Mary Abrams, who is a fine artist, came over and sketched while I practiced. Mary and I have shared our artistic responses for many years; as she painted and I played, an aura of creative energy floated over us, intensifying and in a strange way supporting the impulse to work. During the past several years great museums, such as the Metropolitan Museum in New York, have filled every available space with fine, live music, perhaps in an attempt to bring the arts closer together (while also attracting visitors).
I was hard at work to "do right by" Beethoven's Opus 109; it felt better and better, yet I kept questioning myself as to whether I had unearthed the true meaning of the great late-Beethoven, lust at that moment I read Mitsuko Uchida's honest and wry admission: "I haven't a clue about late Beethoven.... " So much of how we work is thoroughly subjective, based on our personal experience, with high hopes of coming close to Beethoven's. These are the purest moments in musicmuch more so than performances.
A Pianist's Landscape by Carol Montparker