By Marta Robertson
Aaron Copland (1900-1990) is usually thought of the preferred and recognized composer of yank artwork song, and but little scholarly cognizance has been paid to Copland because the Nineteen Fifties. This quantity starts off with a portrait of the composer and an assessment of vital study developments that is meant to fill a void and to signify instructions for extra study. The consultant additionally presents a bit discussing Copland's interdisciplinary pursuits, equivalent to ballet and movie paintings, in addition to a accomplished bibliography of writings approximately Copland and his track.
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Extra resources for Aaron Copland: A Guide to Research (Composer Resource Manuals)
Until 1999, Copland: 1900 through 1942, based on interviews by Vivian Perlis with the composer and his associates, represented the most exhaustive autobiography/biography of Copland. The book alternates contextual “Interlude” chapters and interviews with Copland’s associates, written by Perlis, with discussions by Copland of his life and compositions. The book is easily readable, with Copland’s sections giving a glimpse at his personality. Although Copland discussed every composition in chronological order, detailing biographical and compositional influences, there is no theoretical analysis of the compositions.
W. Norton, 1963. C78 1963. 285 p. ISBN 0306707756. ” Collectively, the essays illustrate the breadth of Copland’s involvement in contemporary and American music. B, except for “1959: Postscript for the Generation of the Fifties,” which was first published in this collection. ) Contents Copland on Music ACKNOWLEDGMENTS FOREWORD SECTION ONE: 1. Three Talks The Pleasures of Music See: The Pleasures of Music: An Address at the University of New Hampshire, April 16, 1959 Creativity in America PRIMARY SOURCES—COPLAND’S WRITINGS 37 See: “Creativity in America” Music as an Aspect of the Human Spirit See: “Music: As an Aspect of the Human Spirit” 2.
Preliminaries 2. How We Listen See: “How We Listen” 3. The Creative Process in Music See: “The Creative Process in Music” 4. The Four Elements of Music—I. Rhythm 5. The Four Elements of Music—II. Melody See: “Melody” 6. The Four Elements of Music—III. Harmony 7. The Four Elements of Music—IV. Tone Color 8. Musical Texture See: “Listening to Polyphonic Music” 9. Musical Structure 10. Fundamental Forms—I. Sectional Form 11. Fundamental Forms—II. Variation Form 12. Fundamental Forms—III. Fugal Form 44 AARON COPLAND: A GUIDE TO RESEARCH 13.
Aaron Copland: A Guide to Research (Composer Resource Manuals) by Marta Robertson